Maggi Bowls Range

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There simply would not have been enough time to swap out motion for stills on this very tight day shoot if it hadn’t been for the fact that we handle both motion and stills to a high level. I was able to light the set for a day of motion and then seamlessly move into stills – utilising the food as it was ready for set and be able to create a seamless look across film and stills.

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